Born on April 27, 1945, August Wilson grew up in the Hill district of Pittsburgh, Pennsylvania. His childhood experiences in this black slum community would later inform his dramatic writings, including his first produced play, Black Bart and the Sacred Hills, which was staged in 1981.

Then, in 1984, August Wilson was catapulted to the forefront of the American theatre scene with the success of Ma Rainey's Black Bottom, produced at Yale and later in New York in 1984. The play was voted Best Play of the Year (1984-85) by the New York Drama Critics' Circle.

Wilson continued to work in close collaboration with Lloyd Richards of the Yale School of Drama, and by early 1990's, had established himself as the best known and most popular African-American playwright. Wilson also set for himself a daunting task--to write a ten play cycle that chronicles each decade of the black experience in the 20th century. Each of Wilson's plays is a chapter in this remarkable cycle of plays and focuses on what Wilson perceives as the largest issue to confront African-Americans in that decade.

His second play, Fences--set in the 1950's--tells the story of Troy Maxon, an illiterate garbage collector who has become embittered by a white-controlled system that has denied him the baseball stardom he feels he deserves. Fences opened on Broadway in the spring of 1987 to enormous critical acclaim and earned Wilson his first Pulitzer Prize.

 

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